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GT2
GT2
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SansAmp GT2
“Architecturally” create your own rig in seconds. You can easily achieve the most sought-after tube amp sounds, and entirely new ones as well. Choose amplifier type, modification and speaker cabinet/mic placement configurations. You can easily mix and match specific sound characteristics in ways that would otherwise be physically improbable, probably impractical and definitely not cost effective. The GT2 is a truckload of great amps in a single, simple pedal.
SansAmp GT2

CALIFORNIA
GT2 Sample GT2 Sample
GT2 Sample
Hear the Sample 
MP3 format - 245k
Guitar used:
Yamaha Pacifica 112 on bridge pickup (humbucking).
Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio).
Effects:
Subtle 360-millisecond stereo delay on lead track.
EQ:
+5dB 80Hz low shelving on rhythm
BRITISH
GT2 Sample GT2 Sample
GT2 Sample \
Hear the Sample 
MP3 format - 243k
Guitar used:
Yamaha Pacifica 120 on bridge pickup (humbucking) for rhythm and first half  
of lead, and neck pickup (humbucking) for second half of lead.
Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio).
EQ:
-3 dB 12kHz shelving on both lead and rhythm, +3dB 80Hz low shelving on rhythm.
Effects:
Subtle 250-millisecond stereo delay both rhythm and lead tracks.
TWEED
GT2 Sample GT2 Sample
GT2 Sample
Hear the Sample 
MP3 format - 243k
Guitar used:
Yamaha Pacifica 112, on  middle/neck (out of phase) position (single coil).
Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio).
EQ:
+3dB 12kHz shelving on rhythm.
Effects:
Slight chorus and compression on rhythm, and 100-millisecond stereo delay on lead..

Credits:

All tracks written, performed and/or programmed by 
Frederic St-Gelais at "La Chambre" Studio, Montreal, Canada
using the following equipment:

Tech 21 SansAmp GT2 preamp
Mackie CR1604VLZ console
Alesis ADAT XT recorder
3630 compressor
Microverb and Midiverb III effects processors
D4 drum module
Ensoniq ASR-10 sampler (used as a MIDI  controller)
BOSS DD-5 digital delay and CE-2 chorus FX pedals
Tascam DA-30 DAT recorder
Pentium 200mmx running sequencer, audio editor and mp3 encoder programs
Yamaha Pacifica 120 and 112 guitars*
Yamaha RBX 260 bass.

 

Character switches include
MIC: MOD: AMP:
* Classic = distant miking without ambiance. * Clean, which gives you a stock tube amp set-up. * Tweed = Fender®-style
* Center = close miking at the center of a speaker cone. * Hi Gain, which gives you an extra gain stage, as if you were to install an additional 12AX7 tube in the pre-amp section. * British = Marshall®-style
* Off-Axis = close miking at the edge of a speaker cone. * Hot-Wired, which gives you a scooped-out midrange for a sizzling, over-the-edge quality. * California = Mesa Boogie®-style
Knob controls fine tune the sound for any application.DRIVE adjusts the overall amount of gain and overdrive.LEVEL adjusts the output level, without altering any tonal characteristics. The on-board active tone controls compensate for the limited range of guitar speaker cabinets and combos, offering optimum control in any situation.
Sample style settings for guitar include Bassman®, SRV, Marshall® Bluesbreaker and Plexi, Metallica, and Van Halen; and SVT®, slap, and King's X for bass.
©Tech 21 USA, Inc.
 
 
 
Price: $189.00

 
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